Brazilian selection for Venice Biennale reflects authoritarianism of São Paulo Biennial Foundation

The São Paulo Biennial Foundation, which organizes the Bienal de São Paulo, has been criticized for its authoritarian approach in selecting the Brazilian representation for the Venice Biennale. The article, published by Arte Brasileiros, highlights how the foundation's choices reflect a lack of transparency and democratic process. The 34th Bienal de São Paulo, titled "Bienal da esperança" (Biennial of Hope), has been accused of romanticizing catastrophes through its political tone. The foundation announced the full list of participants for the 34th edition, which opened with a strong political emphasis. Additionally, the article discusses the challenges of virtual art, questioning the role of digital media in contemporary art. The criticism centers on the foundation's centralized decision-making, which contrasts with the collaborative spirit expected in biennials. The Brazilian selection for Venice, a major international exhibition, is seen as a reflection of these internal issues, raising concerns about the representation of Brazilian art abroad.