Brad Downey's Two-Decade Practice Cataloged in 'Slapstick Formalism'
Brad Downey, an American artist based in Europe since 2004, has his first comprehensive monograph published by Possible Books and Dokument Press. Titled 'Slapstick Formalism: Process, Project, Object', the book catalogs 20 years of his work blending performance, installation, and painting, often in public spaces. It includes documentation, interviews, and contributions that contextualize his practice. In a conversation with Marc Wellman, Downey discusses his training, post-internet art categorization, and social media relationship. His series 'Stolen Passwords' critiques smartphone obsession by superimposing lock codes onto candid photos of commuters. Works like 'Broken Bike Lane' in Berlin use tape to reconfigure bike lanes, challenging perceptions of public space. The book is available for $39.90.
Key facts
- Brad Downey's first monograph 'Slapstick Formalism: Process, Project, Object' published by Possible Books and Dokument Press.
- The book covers 20 years of Downey's work combining performance, installation, and painting.
- Downey has lived in Europe since 2004, with most interventions in European cities.
- Includes an interview with Marc Wellman discussing post-internet art and social media.
- Series 'Stolen Passwords' features candid photos of commuters with lock codes superimposed.
- Work 'Broken Bike Lane' reconfigures Berlin bike lanes using tape.
- Price: $39.90, available at dokument.org.
- Canvas rating: 5 stars.
Entities
Artists
- Brad Downey
- Marc Wellman
Institutions
- Possible Books
- Dokument Press
- Canvas
Locations
- United States
- Europe
- Berlin
- Germany