Boris Groys's 'Art Power' Offers Provocative Analysis of Contemporary Art's Political Systems

The essay collection 'Art Power' by Boris Groys provides an insightful perspective on the intersection of contemporary art and politics. Groys, a former educator from the USSR and now a professor in Germany and at NYU, delves into topics such as the art market, the functions of museums, curatorial impact, and art's connections to terrorism. He critiques concepts like Hitler's art theory, socialist realism, and the consequences of privatization in Russia. Groys contends that museums often resist modern tastes by exhibiting older pieces, while curators offer context. He disputes Walter Benjamin's aura theory, suggesting that copies can generate originals. The reviewer appreciates Groys's engaging style but notes the limited examples and oversimplified political comparisons. His conference presentation from 2008 is highlighted as particularly noteworthy.