Boris Groys Curates 'Privatisierungen' Exhibition of Eastern European Art at Berlin's Kunst-Werke
The exhibition 'Privatisierungen. Zeitgenössische Kunst aus Osteuropa,' curated by Boris Groys, took place at Kunst-Werke in Berlin from May 16 to June 26, 2004. It showcased contemporary art from Eastern Europe that explored themes of private ownership during the shift from communism to capitalism. Featured works included Erboryn Medibekov's 'Pastan 2' (2004), Tanja Ostojic's 'Looking for a husband with EU passport' (2000–2004), and Artur Zmielewski's 'Me and AIDS' (1996). Additional artists were Dmitrij Gutov, Pavel Pepperstejn, Zbigniew Libera, and Sanja Ivekovic. Critics remarked on the exhibition's tight layout and raised concerns about its emphasis on privatization, which they felt perpetuated Cold War dynamics. The catalogue was criticized for lacking sufficient contextual details, leaving its arguments inadequately supported.
Key facts
- Exhibition ran from May 16 to June 26, 2004
- Held at Kunst-Werke in Berlin
- Curated by Boris Groys as part of 'The Post-Communist Condition' project
- Featured works by Erboryn Medibekov, Tanja Ostojic, Artur Zmielewski, Dmitrij Gutov, Pavel Pepperstejn, Zbigniew Libera, and Sanja Ivekovic
- Focused on private appropriation of symbolic orders during post-communist transition
- Criticized for poor spatial organization and curator's prominent inclusion
- Included video and photography as primary media
- Accompanying catalogue lacked contextual information
Entities
Artists
- Boris Groys
- Erboryn Medibekov
- Tanja Ostojic
- Artur Zmielewski
- Dmitrij Gutov
- Pavel Pepperstejn
- Zbigniew Libera
- Sanja Ivekovic
- Ilya Kabakov
Institutions
- Kunst-Werke
- ARTMargins Online
Locations
- Berlin
- Germany
- Eastern Europe