Borges and Manganelli on Metaphor: A Literary Inquiry
An essay in artpress examines the nature of metaphor through the writings of Jorge Luis Borges and Giorgio Manganelli. Borges wrote two texts on metaphor: one appended to his 1952 "History of Eternity" and another from a series of lectures at Harvard (1967-1968). He cites examples from Tennyson, Cummings, Manrique, Chesterton, and Shakespeare. Manganelli's essay describes Borges as "a wound on the face of history" and argues that metaphor, like the unconscious, is socially hostile, destabilizing reality. Borges maintained that art matters only to the individual, not society. The essay also notes that metaphors are largely banned from journalism and literary criticism, and that contemporary literature often avoids stylistic creation. References include Borges' conversations with Ernesto Sabato, Nabokov's "Ada," and Manganelli's "Hilarotragoedia."
Key facts
- Borges wrote two texts on metaphor, one in 1952 and another from 1967-1968 Harvard lectures.
- Borges cited metaphors from Tennyson, Cummings, Manrique, Chesterton, and Shakespeare.
- Giorgio Manganelli called Borges 'a wound on the face of history.'
- Manganelli argues metaphor is socially hostile, like the unconscious.
- Borges believed art only matters to the individual, not society.
- Metaphors are largely banned from journalism and literary criticism.
- The essay references Borges' conversations with Ernesto Sabato.
- Nabokov's 'Ada' includes the line 'Time is a fluid medium for the culture of metaphors.'
Entities
Artists
- Jorge Luis Borges
- Giorgio Manganelli
- Alfred Tennyson
- E.E. Cummings
- Jorge Manrique
- G.K. Chesterton
- William Shakespeare
- Walter von der Vogelweide
- Ernesto Sabato
- Vladimir Nabokov
- Lord Byron
- Luis de Góngora
- Leopoldo Lugones
Institutions
- Harvard University
- artpress
- NRF
- Gallimard
- Éditions du Rocher
- Anatolia
- L'Arpenteur
Locations
- Buenos Aires
- Argentina
- Harvard
- United States
Sources
- artpress —