Blickmaschinen Exhibition at Centro Andaluz de Arte Contemporáneo Explores Image Ontology
The Blickmaschinen oder wie Bilder entstehen exhibition at Centro Andaluz de Arte Contemporáneo in Seville ran from September 2009 through January 2010. Curated to examine how images of the world emerge and are interpreted, the show featured contemporary artists engaging with Werner Nekes's collection. Post-structuralism's rise prompted a reevaluation of representation's ontological status, a topic previously overlooked in art historical discourse until the late 20th century. James Elkins identified several foundational points in this discourse. The exhibition was reviewed by Ewa Borysiewicz for ARTMargins Online in April 2010. Visual Tactics was another exhibition reviewed alongside Blickmaschinen at the same venue during the same period.
Key facts
- Exhibition titled Blickmaschinen oder wie Bilder entstehen ran September 2009-January 2010
- Held at Centro Andaluz de Arte Contemporáneo in Seville
- Exhibition explored how images of the world appear and are interpreted
- Featured contemporary artists examining Werner Nekes's collection
- Post-structuralism prompted renegotiation of representation's ontological status
- James Elkins listed starting points in representation discourse
- Reviewed by Ewa Borysiewicz for ARTMargins Online in April 2010
- Visual Tactics exhibition also reviewed from same venue and period
Entities
Artists
- Ewa Borysiewicz
- James Elkins
- Werner Nekes
Institutions
- ARTMargins Online
- Centro Andaluz de Arte Contemporáneo
Locations
- Seville
- Spain
- Warsaw
- Poland