Blanchot and Céline: Two Literary Giants, One White, One Black
Two massive volumes from Gallimard, one collecting Maurice Blanchot's literary chronicles from the Occupation (April 1941–August 1944) and the other gathering Louis-Ferdinand Céline's letters to Marie Canavaggia (1936–1960), prompt a stark moral comparison. Blanchot, who wrote for the Pétainist Journal des débats, later recanted his far-right, anti-Semitic past and was rehabilitated by the intellectual left. Céline never repented his racism and anti-Semitism, remaining a pariah. The Blanchot volume includes reviews of now-obscure authors, with a jarring disconnect from the tragic context of Vichy France. Céline's letters, over 500, reveal his unrepentant fury, humor, and optimism during exile, while he worked on Guignol's Band. Additionally, the DVD set 'Céline vivant' compiles TV interviews, a reading from Nord, and testimonies.
Key facts
- Gallimard published two volumes: Blanchot's literary chronicles (1941–1944) and Céline's letters to Marie Canavaggia (1936–1960).
- Blanchot wrote for the Pétainist Journal des débats during the Occupation.
- Blanchot later moved from far-right to far-left and recanted his anti-Semitism.
- Céline never repented his racism and anti-Semitism.
- Céline's letters show his unrepentant fury, humor, and optimism.
- Céline worked on Guignol's Band during his exile.
- The DVD set 'Céline vivant' includes TV interviews, a reading from Nord, and testimonies.
- Philippe Muray, Philippe Sollers, and Julia Kristeva recognized Céline as a great writer despite his pamphlets.
Entities
Artists
- Maurice Blanchot
- Louis-Ferdinand Céline
- Marie Canavaggia
- Philippe Muray
- Philippe Sollers
- Julia Kristeva
- Nimier
- Hallier
- de Roux
Institutions
- Éditions Gallimard
- Éditions Montparnasse
- Journal des débats
- Tel Quel
- Éditions Marval
- La Sept
Locations
- France
- Meudon
- Denmark
Sources
- artpress —