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Blanca Casas Brullet's Transformative Practice Explored

artist · 2026-04-24

Born in 1973 in Mataró, Spain, and currently residing in Paris, Blanca Casas Brullet investigates transformation through diverse mediums. Her 2012 exhibition "Déballage" at Maison Bernard Anthonioz emphasized the reflective qualities of photography. Notable early works include the 2001 video "Prendas," featuring dancer Arantxa Martinez, which represents the act of creation. The "Portraits" series from 2004 incorporates intrusive elements inspired by Roland Barthes's concept of punctum. At Maison Bernard Anthonioz, she presented "Esborralls" sculptures reminiscent of analog photography, while "Prélèvements (études)" utilize cutouts as pinhole cameras. The 2011 video "Faire (le noir)" pays tribute to techniques of image appearance. Recent solo exhibitions include "Esborralls" at Galerie Françoise Paviot, Paris (2011), and "Blanc sota Negre" at Museu del Moli Paperer de Capellades, Spain (2012), with text by critic Audrey Illouz.

Key facts

  • Blanca Casas Brullet was born in 1973 in Mataró, Spain.
  • She lives and works in Paris.
  • Her exhibition 'Déballage' was held at Maison Bernard Anthonioz, Nogent-sur-Marne in 2012.
  • The video 'Prendas' (2001) features dancer Arantxa Martinez.
  • The 'Portraits' series includes works 'Eduard' (2004), 'Seulgi' (2004), and 'Danielle' (2004).
  • She created a 'Table-atelier' at Maison Bernard Anthonioz.
  • The sculptures 'Esborralls' are made of folded paper rigidified with silver.
  • The text is written by critic and curator Audrey Illouz.

Entities

Artists

  • Blanca Casas Brullet
  • Arantxa Martinez
  • Lygia Clark
  • Roland Barthes
  • Audrey Illouz

Institutions

  • Maison Bernard Anthonioz
  • Galerie Françoise Paviot
  • Scène nationale
  • Museu del Moli Paperer de Capellades
  • La Ferme du Buisson

Locations

  • Mataró
  • Spain
  • Paris
  • France
  • Nogent-sur-Marne
  • Belfort
  • Gentilly
  • Capellades
  • Noisiel

Sources