Biennale di Venezia 2022 sets attendance record but Italian visitors lag
The 59th Venice Biennale, titled 'Il latte dei sogni' and curated by Cecilia Alemani, concluded with record-breaking attendance: 800,000 tickets sold, a 35% increase over the 2019 pre-pandemic edition, the highest in the Biennale's 127-year history. However, only 41% of visitors were Italian (320,000), while 59% came from abroad. The author argues that despite the success, the low Italian turnout reflects a persistent prejudice against contemporary art in Italy, and that the Biennale's immersive, multi-medial installations could help bridge this gap. The piece suggests that 320,000 Italian visitors, though high for a contemporary art exhibition in Italy, are insufficient given the event's potential to engage broader audiences.
Key facts
- The 59th Venice Biennale 'Il latte dei sogni' was curated by Cecilia Alemani.
- 800,000 tickets were sold, a 35% increase from 2019.
- This is the highest attendance in the Biennale's 127-year history.
- 59% of visitors were international, 41% Italian.
- 320,000 Italian visitors attended.
- The Biennale is perceived as a contemporary art event, which may deter some Italian audiences.
- The author believes the Biennale could help overcome prejudice against contemporary art in Italy.
- The article was published on Artribune in December 2022.
Entities
Artists
- Cecilia Alemani
- Lucio Fontana
- Matthew Barney
- Germano Celant
- Christine Macel
- Ralph Rugoff
- Okwui Enwezor
- Roberto Cicutto
Institutions
- La Biennale di Venezia
- Artribune
- Monti&Taft
- Biennale di Venezia
- Fondazione Biennale di Venezia
Locations
- Venezia
- Italy
- Denmark
- France
- Switzerland
- South Korea
- Australia
- Venice
- Giardini
- Arsenale
- New York
- Ukraine