ARTFEED — Contemporary Art Intelligence

Biennale di Venezia 2022 sets attendance record but Italian visitors lag

exhibition · 2026-04-27

The 59th Venice Biennale, titled 'Il latte dei sogni' and curated by Cecilia Alemani, concluded with record-breaking attendance: 800,000 tickets sold, a 35% increase over the 2019 pre-pandemic edition, the highest in the Biennale's 127-year history. However, only 41% of visitors were Italian (320,000), while 59% came from abroad. The author argues that despite the success, the low Italian turnout reflects a persistent prejudice against contemporary art in Italy, and that the Biennale's immersive, multi-medial installations could help bridge this gap. The piece suggests that 320,000 Italian visitors, though high for a contemporary art exhibition in Italy, are insufficient given the event's potential to engage broader audiences.

Key facts

  • The 59th Venice Biennale 'Il latte dei sogni' was curated by Cecilia Alemani.
  • 800,000 tickets were sold, a 35% increase from 2019.
  • This is the highest attendance in the Biennale's 127-year history.
  • 59% of visitors were international, 41% Italian.
  • 320,000 Italian visitors attended.
  • The Biennale is perceived as a contemporary art event, which may deter some Italian audiences.
  • The author believes the Biennale could help overcome prejudice against contemporary art in Italy.
  • The article was published on Artribune in December 2022.

Entities

Artists

  • Cecilia Alemani
  • Lucio Fontana
  • Matthew Barney
  • Germano Celant
  • Christine Macel
  • Ralph Rugoff
  • Okwui Enwezor
  • Roberto Cicutto

Institutions

  • La Biennale di Venezia
  • Artribune
  • Monti&Taft
  • Biennale di Venezia
  • Fondazione Biennale di Venezia

Locations

  • Venezia
  • Italy
  • Denmark
  • France
  • Switzerland
  • South Korea
  • Australia
  • Venice
  • Giardini
  • Arsenale
  • New York
  • Ukraine

Sources