Bernardo Oyarzún on Representing Chile at the 2017 Venice Biennale with Mapuche Installation

Bernardo Oyarzún will represent Chile at the 2017 Venice Biennale, with his pavilion located in the Arsenale. His exhibition features an ancestral Mapuche installation blending mythical ritual elements with contemporary components, aiming to stage the Mapuche subject. Oyarzún does not feel more pressured by this event compared to other biennials, despite recognizing its significance in the art world. He believes the Venice Biennale retains a special status due to its influence on history and context, even amid global biennial proliferation. For him, representing his country is not a nationalist competition; instead, he values the opportunity to see international works and meet people. Oyarzún does not prioritize any specific audience, such as peers or the general public, over others. He notes that having a pavilion in Venice makes Chile's art scene less marginal and excites local gallery owners, potentially revitalizing a sluggish market. The artist looks forward to discovering at least one impressive work at the biennial for an unexpected reason. The 2017 Venice Biennale runs from 13 May to 26 November.