Bendor Grosvenor's 'The Invention of British Art' Examines National Identity Through Art History
Bendor Grosvenor's 'The Invention of British Art,' set to be released by Elliot & Thompson in January and February 2025 for £40, delves into how historical events shaped British identity in art. He posits that the Protestant Reformation and the English Revolution impeded the growth of British art. The narrative spans from prehistoric eras through the Roman Empire, Anglo-Saxon Britain, Viking invasions, and the Norman Conquest. The local aristocracy's preference for European talent suppressed native artistic expressions, resulting in social unrest, including riots against settlers from the Netherlands. A unique British art form began to take shape in the 18th and early 19th centuries, epitomized by Turner's 1835 work, 'The Burning of the Houses of Lords and Commons.' The book also engages with current discussions surrounding the decolonization of art history.
Key facts
- Bendor Grosvenor authored 'The Invention of British Art'
- The book explores what makes British art 'British'
- It was published by Elliot & Thompson in January & February 2025
- The hardcover edition costs £40
- Grosvenor traces British art from prehistoric times to the early 19th century
- He argues British art was delayed by the Protestant Reformation and English Revolution
- Aristocratic 'commissioning classes' imported talent from Europe, especially the Netherlands
- Turner's 1835 painting 'The Burning of the Houses of Lords and Commons' is highlighted as inventing modern art
Entities
Artists
- Bendor Grosvenor
- Hogarth
- Reynolds
- Turner
- Wright of Derby
- Constable
Institutions
- Elliot & Thompson
- ArtReview
Locations
- Britain
- London
- Netherlands
- Europe
- Roman Empire
- Anglo-Saxon Britain
- Viking incursions
- Norman Conquest