Becky Beasley's Berlin exhibition explores autobiographical narrative through modular objects and literary allusions

Becky Beasley's showcase at Galeria Plan B in Berlin is open until 9 June 2018, presenting geometric, book-like forms alongside monochromatic images that delve into themes of isolation and anxious connections. Her creations merge minimalist designs with personal narratives, exemplified by Brocken II (2009), a hinged walnut piece that mirrors her father's arm span and nods to Thomas Bernhard. Recent works, including Bearings (IV) (2014), represent longing and the movement of the viewer, while posters reflect her past relationships. Additionally, Flora, A Life (2013) and Oscillating City (2016) investigate concepts of time and space. Three photographs capture Eadweard Muybridge's garden, and Spring Equinox, Morning (Floorboards) (2017) features cyanotype-stained bed linen, hinting at geographical journeys. ArtReview's Summer 2018 issue includes a review of the exhibition.