Beatrice Alici: Painting, Femininity, and the Reclamation of Lilith
Beatrice Alici, a figurative painter from Venice born in 1992 in San Donà di Piave, completed her studies at the Accademia di Belle Arti di Venezia in 2019 under the mentorship of Carlo Di Raco. Since 2016, she has been affiliated with the Fondazione Malutta collective and has been creating art at the Kadabra studio in Mestre since 2020. Alici's artwork emphasizes female figures and the myth of Lilith, whom she regards as an archetype marginalized by patriarchal narratives. She confronts the historical oppression of witches, reclaiming the term 'witch' as a representation of liberation. Among her prominent pieces are 'Behind the Eden' (2016) and 'L'importanza delle origini' (2018). She favors large canvases and prioritizes emotional expression over technical precision in her creations.
Key facts
- Beatrice Alici was born in 1992 in San Donà di Piave, Italy.
- She earned a second-level diploma in Visual Arts and Performing Arts (Painting) from the Accademia di Belle Arti di Venezia in 2019.
- She studied under Professor Carlo Di Raco in Atelier F.
- Since 2016 she has been a member of the Fondazione Malutta collective.
- Since 2020 she has worked at the Kadabra studio in Mestre with nine other young artists.
- Her work frequently depicts female figures, including the myth of Lilith.
- She considers the witch trials the largest mass femicide in history.
- Her painting 'Behind the Eden' (2016) reimagines the Garden of Eden in modern Mesopotamia (Turkey, Syria, Iraq).
- 'L'importanza delle origini' (2018) is based on a 1910 family photo of relatives who emigrated from Grottazzolina to Argentina.
- She prefers large formats (up to 3×2 meters) to create an immersive experience for the viewer.
- Literary influences include 'Madame Bovary', '1984', 'Anna Karenina', 'One Hundred Years of Solitude', and 'The Handmaid's Tale'.
- She cites the podcast 'Morgana' by Michela Murgia and Chiara Tagliaferri as an influence.
- Her painting process is fast and impulsive in the initial stage, slow and calm in the final stage.
- She believes emotions are more important than technique in painting.
Entities
Artists
- Beatrice Alici
- Carlo Di Raco
Institutions
- Accademia di Belle Arti di Venezia
- Fondazione Malutta
- Kadabra
- Tate Britain
- Artribune
Locations
- San Donà di Piave
- Italy
- Venezia
- Mestre
- Londra
- United Kingdom
- Grottazzolina
- Ascoli Piceno
- Marche
- Argentina
- Turchia
- Siria
- Iraq
- Mesopotamia