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Barry Schwabsky's Essay on Craig Fisher's 2002-2003 Exhibitions Published for First Time

publication · 2026-04-23

An essay by Barry Schwabsky about painter Craig Fisher's work has been published for the first time. The text was originally written in response to Fisher's exhibitions at Florence Lynch Gallery in New York during October 2002 and at Galerie Corinne Caminade in Paris in March and April 2003. Schwabsky's writing examines the persistent conflicts surrounding painting's position within contemporary artistic practice. These tensions have existed across multiple generations of artists. The publication appears on artcritical.com, which features numerous articles by Schwabsky. The author also references the late poet and critic John Ashbery, noting the significant loss to art criticism represented by his passing. Schwabsky mentions Ashbery's self-deprecating description of his own critical writing as a secondary pursuit. Additionally, Schwabsky has written about late career artistic periods, specifically referencing an exhibition at London's National Gallery.

Key facts

  • Barry Schwabsky authored a previously unpublished essay.
  • The essay discusses painter Craig Fisher's exhibitions.
  • Fisher exhibited at Florence Lynch Gallery in October 2002.
  • Fisher exhibited at Galerie Corinne Caminade in March/April 2003.
  • The essay analyzes conflicts in contemporary painting.
  • John Ashbery's death is noted as a loss for art criticism.
  • Schwabsky references Ashbery's term 'violon d'Ingres'.
  • The essay is published on artcritical.com.

Entities

Artists

  • Barry Schwabsky
  • Craig Fisher
  • John Ashbery

Institutions

  • Florence Lynch
  • Galerie Corinne Caminade
  • National Gallery
  • artcritical

Locations

  • New York
  • Paris
  • France
  • London
  • United Kingdom

Sources