Barilli's Critique of Biennale di Venezia's Curatorial Direction
Renato Barilli, professor emeritus at the University of Bologna, published an editorial on Artribune criticizing the current direction of the Biennale di Venezia. He argues for a return to a hierarchical structure where the Central Pavilion in the Giardini showcases leading artists and movements, while the Corderie should be reserved for emerging talents. Barilli condemns the 'biennial correctness' institutionalized by former president Paolo Baratta, which he claims led to curators lacking vision. He specifically criticizes the 2019 edition's director for allowing participants to exhibit in both spaces, causing confusion. Barilli also advocates for Italian participation to be reinstated in the Central Pavilion, recalling the 1972 exhibition curated by Giovanni Carandente and Francesco Arcangeli. He suggests that a strong director should negotiate with foreign pavilion commissioners to ensure more meaningful contributions, as many national pavilions currently lack impact.
Key facts
- Renato Barilli is professor emeritus at the University of Bologna.
- Barilli criticizes the Biennale di Venezia's current curatorial approach.
- He advocates for a hierarchical distinction between the Central Pavilion and the Corderie.
- Barilli condemns 'biennial correctness' under Paolo Baratta.
- He criticizes the 2019 director for allowing artists to exhibit in both spaces.
- Barilli recalls the 1972 Central Pavilion exhibition with Carandente and Arcangeli.
- He suggests a strong director should negotiate with foreign pavilion commissioners.
- Barilli's editorial was published on Artribune Magazine #50.
Entities
Artists
- Renato Barilli
- Rosemarie Trockel
- Giovanni Carandente
- Francesco Arcangeli
- Eugenio Viola
- Cecilia Alemani
- Gioni-Alemani
Institutions
- Biennale di Venezia
- University of Bologna
- Artribune
- MAMBO Bogotà
- Venice Biennale
- Italian Pavilion
Locations
- Venezia
- Italy
- Venice
- Bogotà
- Colombia
- Giardini
- Corderie