Bactrian Princess Sculptures at Barakat Gallery Reveal Bronze Age Mysteries
Barakat Gallery in London is presenting a selection of Bactrian Princess sculptures, composite figures from the Bronze Age Bactria-Margiana Archaeological Complex (BMAC), also known as the Oxus Civilization. These ancient works, dating to the third millennium BC, are crafted from chlorite and calcite, featuring dark bodies and pale faces. The term 'Bactrian Princess' is a modern designation; their actual identity remains uncertain, with theories ranging from elite women to divine female figures. The sculptures vary in form, including seated and elongated types, and exhibit precise composite construction, sometimes with traces of reddish adhesive. The BMAC flourished across parts of Turkmenistan, Uzbekistan, Tajikistan, and northern Afghanistan, with sites like Gonur Depe revealing a sophisticated society with monumental architecture and long-distance trade. The exhibition highlights the artistic sophistication of Central Asia, challenging perceptions of it as a cultural periphery. The unresolved questions about their meaning and function contribute to their enduring appeal. The gallery's catalog includes works in chlorite and calcite, some dated to the third to second millennia BC. The sculptures' formal intelligence, material contrast, and cultural significance are emphasized, inviting viewers to appreciate them as art while acknowledging the mysteries that remain.
Key facts
- Barakat Gallery in London is exhibiting Bactrian Princess sculptures.
- The sculptures are from the Bronze Age Bactria-Margiana Archaeological Complex (BMAC), also known as the Oxus Civilization.
- They date to the third millennium BC, with some examples from the third to second millennia BC.
- Materials used include chlorite and calcite, creating a dark and pale contrast.
- The term 'Bactrian Princess' is modern; their actual identity is unknown, possibly elite women or divine figures.
- The BMAC spanned parts of Turkmenistan, Uzbekistan, Tajikistan, and northern Afghanistan.
- Archaeological site Gonur Depe has provided insights into the BMAC's sophistication.
- The sculptures show variation in form, including seated and elongated types.
- Some examples show evidence of reddish residue, possibly from organic adhesives.
- The exhibition emphasizes the artistic sophistication of ancient Central Asia.
Entities
Artists
- Kazeem Adeleke
Institutions
- Barakat Gallery
- Artcentron
Locations
- London
- United Kingdom
- Turkmenistan
- Uzbekistan
- Tajikistan
- Afghanistan
- Gonur Depe