Austrian State Retreats from Theatre Patronage
Austrian theatre policy favors court-style and festival-oriented institutions, leaving non-institutional 'third theatre' unsupported both during post-war cultural restoration and after the country's opening to the world. Official stages receive 80% of subsidies, while independent stages share the remainder. Avant-garde artists also face pressure from far-right political groups and tabloid press. The state appears to be gradually abandoning cultural patronage, shifting funding responsibility onto private sponsorship. A small artist revolt has led to Chancellor Klima's project to restore a dedicated ministry for culture.
Key facts
- Austrian theatre policy prioritizes court-style and festival-oriented theatre.
- Non-institutional 'third theatre' has never been supported.
- Official stages receive 80% of subsidies.
- Independent stages share the remaining 20%.
- Avant-garde artists face pressure from far-right groups and tabloid press.
- The state is shifting from public patronage to private sponsorship.
- A small artist revolt led to Chancellor Klima's project for a dedicated culture ministry.
- The article was published in artpress in October 1998.
Entities
Institutions
- artpress
Locations
- Austria
Sources
- artpress —