Asger Jorn's 'The Open Hide' retrospective at Petzel marks a New York resurgence
Between May 5 and July 29, 2016, Petzel Gallery in New York showcased 'The Open Hide,' an episodic retrospective featuring Asger Jorn's artwork spanning from the early 1940s to the early 1970s. This exhibition emerged amid a resurgence of interest in Jorn, who passed away in 1973, following his last New York exhibition two decades prior. In 1992, historian T.J. Clark referred to Jorn as 'the greatest painter of the 1950s,' which sparked greater scholarly focus. A special issue on Jorn was released by the journal October in 2012, and Karen Kurczynski's 2014 publication further fueled this fascination. The exhibition illustrated Jorn's artistic journey from early animal symbolism to his CoBrA-era pieces, emphasizing his influence in challenging anthropocentric perspectives.
Key facts
- Asger Jorn died in 1973
- Exhibition dates: May 5 – July 29, 2016
- Venue: Petzel, New York
- T.J. Clark named Jorn 'the greatest painter of the 1950s' in 1992
- October journal dedicated a 2012 special issue to Jorn
- Karen Kurczynski's book on Jorn published in 2014
- Blum & Poe held a CoBrA exhibition in 2015
- Jorn studied with Fernand Léger in France
Entities
Artists
- Asger Jorn
- T.J. Clark
- Karen Kurczynski
- Matisse
- Fernand Léger
- Jackson Pollock
- Wols
Institutions
- Petzel
- CoBrA
- Situationist International
- October
- Routledge
- Blum & Poe
- ArtReview
Locations
- New York
- Los Angeles
- France