ArtReview's September 2022 Issue Features Profiles on Anne Imhof, Nikita Gale, and Abdias Nascimento

ArtReview's September 2022 issue includes profiles on several artists and cultural figures. Cat Kron examines German artist Anne Imhof's performance works, which draw from a dense array of cultural references. Salena Barry analyzes Nikita Gale's artistic investigations into climate change, race, and governmental authority. Oliver Basciano explores the legacy of African-Brazilian artist Abdias Nascimento and his Experimental Black Theatre. Lauren Elkin contributes six notes on art and abortion, while Pierre d'Alancaisez assesses the impacts of state-funded artist incomes. Additional content features Benoît Loiseau's review of an LGBTQ+ museum, Emmanuel Iduma's reflections on an African novelist, Phoebe Blatton on Polish women's art collectives at fairs, Ross Simonini's interview with Rita Ackermann, and Martin Herbert's writing on class dynamics in the art world. The issue also contains global reviews from critics including Anna Esposito at Gramma Epsilon in Athens, Margrét H. Blöndal at the National Gallery of Iceland in Reykjavík, a review of 'The Condition of Being Addressable' at the Institute of Contemporary Art in Los Angeles, Giselle Beiguelman at the Museu Judaico de São Paulo, Mounira Al Solh at the Baltic Centre for Contemporary Art in Gateshead, and John-Baptiste Oduor on Afrofuturism's past and future.