ArtReview's October 2024 issue explores renewal, AI ethics, and reinterpretations of art history

ArtReview's October 2024 issue marks the publication's 75th anniversary, focusing on themes of renewal and reinterpretation. Gelare Khoshgozaran examines Iranian artist Maryam Tafakory's films, which collage excerpts from Iranian cinema over four decades to critique gendered violence. The issue republishes E.H. Gombrich's 1950 essay 'Norm and Form', with annotations reflecting on its relevance to current debates on representation and decolonization. Martin Herbert revisits Mike Kelley's work ahead of a Tate Modern retrospective, analyzing shifting perceptions of the artist's confrontational themes. Holly Herndon and Mat Dryhurst's exhibition 'The Call' at The Serpentine uses UK community choirs to train AI for music creation, explored by Chris Fite-Wassilak in relation to Conceptual art. Additional coverage includes the Warburg Institute's reopening in London and reviews of Melvin Edwards at Fridericianum in Kassel, Javier Téllez in New York, Nina Canell at Simian in Copenhagen, and shows in Singapore, Edinburgh, and Paris. Rosanna McLaughlin reviews 'Poor Artists' by The White Pube, while Brian Dillon critiques Jérémie Koering's 'Iconophages: A History of Ingesting Images'. The issue is available through ArtReview's new online shop.