ArtReview's May 2022 Issue Explores Magic, Queer Theory, and Global Art

The May 2022 issue of ArtReview features Ghanaian artist Ibrahim Mahama on its cover, highlighting his community-focused work at the Savannah Centre for Contemporary Art in Tamale. Azu Nwagbogu emphasizes that Mahama's methods offer a new lens on African art spaces, challenging the usual neglect of colonial histories by embracing innovation and restitution. J.J. Charlesworth contributes an essay that delves into the art world's long-standing ties to mystical ideas, from William Blake to Chiara Fumai, often overshadowed by rational thought. Additionally, Franco-Guyanese-Danish artist Tabita Rezaire collaborates with Naomi Moonlion to explore technology and spiritual healing in the context of colonialism. Rosanna McLaughlin addresses the rise of queer theory in contemporary art, highlighting its role in shifting ideologies within museums and colonial contexts. The issue also reviews prominent events like the Venice Biennale and includes discussions on various artists and exhibitions.