ArtReview's April issue examines technology's impact on art production and experience

The April edition of ArtReview examines the impact of technology on both the creation and consumption of art within a technocapitalist framework. J.J. Charlesworth assesses the viability of the NFT craze, while Martin Herbert explores bio-power concepts in the works of Pakui Hardware. Sarah Forman investigates the multimedia realm of Chinese artist Lu Yang, which incorporates performance, 3D avatars, video games, and elements of Hindu and Buddhist thought. Mark Rappolt speaks with New York artist Mika Tajima about her pieces that fuse traditional, contemporary, and futuristic aspects to explore the psychological and physical implications of technocapitalism. Additionally, Juliet Jacques revisits the restored moving-image works of Austrian painter Maria Lassnig, emphasizing a significant technological shift. The issue also includes an interview with Brooklyn artist Win McCarthy and critiques from various global cities, questioning if recent technological interactions will fundamentally change artistic practices.