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ArtReview November 2023 Issue: Art and Class, Ramesh Mario Nithiyendran, Tadáskía

publication · 2026-04-24

The November 2023 issue of ArtReview features a cover story on Ramesh Mario Nithiyendran ahead of his solo exhibition at Glasgow's Tramway. Mark Rappolt interviews the Sydney-based artist about his colorful ceramic and bronze sculptures, which draw from Hindu idolatry, identity politics, and pop culture. Nithiyendran's work, including large-scale kinetic installations, is described as a 'Frankensteinian mishmash' of Western and Eastern traditions, embracing change and ephemerality. A special focus on 'Art and Class' includes essays by Nathalie Olah and Mitch Speed. Olah critiques how class affects representation and means of production, citing artists Pilvi Takala and Sung Tieu as examples of confronting class issues. Speed argues that the artworld is increasingly limited to the wealthy, with discrimination based on race, ethnicity, sex, religion, disability, age, and sexual identity. Mariacarla Molé examines Vittoria Martini's diary documenting Thomas Hirschhorn's 2009 Bijlmer Spinoza-Festival in Amsterdam, leading to a methodology of 'precarious art history.' Additional features include interviews with Tadáskía and Grace Wales Bonner, columns on literature, minimalist eating, animation, and museum models. Reviews cover Sarah Lucas, Christian Marclay, Sable Elyse Smith, Benjamin Senior, Steirischer Herbst 2023, EVA International 2023, and books by JG Ballard, Charlie Porter, and Maria Fusco.

Key facts

  • ArtReview November 2023 issue features Ramesh Mario Nithiyendran, Tadáskía, and Grace Wales Bonner.
  • Special focus on 'Art and Class' with essays by Nathalie Olah and Mitch Speed.
  • Ramesh Mario Nithiyendran has a solo exhibition at Glasgow's Tramway.
  • Nithiyendran's sculptures are mostly ceramic and bronze, inspired by Hindu idolatry, identity politics, and pop culture.
  • Nathalie Olah cites artists Pilvi Takala and Sung Tieu as examples of confronting class issues.
  • Mitch Speed discusses discrimination in the artworld based on race, ethnicity, sex, religion, disability, age, and sexual identity.
  • Mariacarla Molé writes about Vittoria Martini's diary documenting Thomas Hirschhorn's 2009 Bijlmer Spinoza-Festival in Amsterdam.
  • Martini's methodology is termed 'precarious art history'.

Entities

Artists

  • Ramesh Mario Nithiyendran
  • Tadáskía
  • Grace Wales Bonner
  • Pilvi Takala
  • Sung Tieu
  • Thomas Hirschhorn
  • Vittoria Martini
  • Mark Rappolt
  • Nathalie Olah
  • Mitch Speed
  • Mariacarla Molé
  • Guilherme Teixeira
  • Emily McDermott
  • Adam Thirlwell
  • Amber Husain
  • Jamie Sutcliffe
  • Kuba Szreder
  • Sarah Lucas
  • Christian Marclay
  • Sable Elyse Smith
  • Benjamin Senior
  • JG Ballard
  • Charlie Porter
  • Maria Fusco

Institutions

  • ArtReview
  • Tramway

Locations

  • Glasgow
  • United Kingdom
  • Sydney
  • Australia
  • Amsterdam
  • Netherlands
  • Finland
  • Germany

Sources