ArtReview Archives Revisit Bridget Riley's 1962 Debut and 2014 Stripe Paintings Exhibition
To mark its 65th anniversary, ArtReview delved into its archives to showcase Bridget Riley, featuring reviews and interviews spanning from 1962 to 2010. This retrospective coincided with the exhibition "Bridget Riley: The Stripe Paintings 1961–2014," held at David Zwirner in London from June 13 to July 25, 2014. The earliest piece is a 1962 critique by Michael Shepherd, focusing on Riley's inaugural solo exhibition at Gallery One. He praised her ability to merge optical effects with painting, describing a visually vibrating herringbone-patterned work. Shepherd highlighted her significant impact on fellow artists and her acute perception of reality, underscoring the themes of artistic freedom and enjoyment that characterized her career.
Key facts
- ArtReview published an archival feature on Bridget Riley to mark its 65th anniversary.
- The feature coincided with "Bridget Riley: The Stripe Paintings 1961–2014" at David Zwirner, London.
- The exhibition ran from June 13 through July 25, 2014.
- The archives included reviews and interviews published between 1962 and 2010.
- The earliest piece was a 1962 review by Michael Shepherd of Riley's first solo show at Gallery One.
- Shepherd described Riley's work as integrating optical, scientific effects into painting.
- He noted her use of black and white grids to create illusionary stresses and directional lines.
- One painting featured a herringbone pattern with shifting colors that constantly vibrated.
Entities
Artists
- Bridget Riley
- Michael Shepherd
- Vasarely
Institutions
- ArtReview
- David Zwirner
- Gallery One
Locations
- London
- United Kingdom