ArtReview analyzes Top Gun: Maverick as a midlife crisis film exploring aging masculinity

ArtReview examines Top Gun: Maverick (2022) as part of a trend in contemporary cinema characterized as 'midlife crisis movies.' The article identifies this pattern across recent blockbuster sequels and reboots featuring aging male protagonists, including Daniel Craig's James Bond in No Time to Die (2021), Keanu Reeves in The Matrix Resurrections (2021), and Robert Pattinson in The Batman (2022). A central motif analyzed is the recurring use of motorcycle scenes, which the author interprets as symbolic of a 'flawed hard man with a barely-concealed tender heart.' The piece contrasts the original 1986 Top Gun, focused on youthful arrogance and alpha male competition, with the sequel's perspective on aging, mortality, and the transfer of knowledge to a younger generation. Specific narrative parallels are noted, such as the updated bar scene where Rooster (Miles Teller) plays 'Great Balls of Fire,' echoing his father Goose's role. The analysis suggests these films present a 'softer, more protective, empathetic and emotional' type of machismo, seen through the lens of nostalgia. Historical context is provided regarding the original film's impact, citing a 500 percent increase in U.S. Navy aviation recruitment interest following its 1986 release. The article concludes by noting the absence of returning female co-stars like Kelly McGillis and Meg Ryan, highlighting selective Hollywood treatment of aging.