ARTMargins Online Publishes Special Issue on Feminist Artistic Organizing in Post-Yugoslav Region
ARTMargins Online has released a special issue examining feminist artistic organizing in the post-Yugoslav region, edited by Biljana Purić. The publication explores how Edvard Kardelj's ideological framework for Yugoslavia's workers' self-management system established the conceptual foundation for artists' societal roles. Kardelj's writings promoted class solidarity and equal valuation of intellectual and physical labor. This ideological approach inspired numerous initiatives, including an art program at the Ironworks complex in Sisak, Croatia, where workers and artists collaborated creatively. The special issue appears as part of ARTMargins Online's ongoing coverage, accessible through its website with content tagged under Adela Jušić. The analysis connects historical Yugoslav political theory with contemporary feminist artistic practices across the region that emerged after Yugoslavia's dissolution.
Key facts
- ARTMargins Online published a special issue
- The special issue focuses on feminist artistic organizing in the post-Yugoslav region
- Biljana Purić edited the special issue
- Edvard Kardelj was a main ideator of Yugoslavia's workers' self-management system
- Kardelj's writing equated all types of work and workers
- The concept promoted class solidarity and equal value of intellectual and physical labor
- An art program at the Ironworks complex in Sisak, Croatia exemplified this approach
- Workers assisted and collaborated with artists in the program
Entities
Artists
- Biljana Purić
- Adela Jušić
- Edvard Kardelj
Institutions
- ARTMargins Online
- Komunist
Locations
- Yugoslavia
- Sisak
- Croatia
- Beograd