Artists Explore England's Invented Histories and National Myths in Exhibitions and Publications

In May, King Charles III's coronation at Westminster Abbey highlighted traditions that evoke a sense of continuity, even though some practices date back less than 400 years. An official invitation featuring the Green Man, which historians have criticized as a twentieth-century invention by Lady Raglan, ignited discussions. In her April publication, 'Imagining England's Past,' Susan Owens contends that fiction significantly influences national history, particularly in the post-Brexit era. Jamie Fitzpatrick's spring exhibition, 'Psycho Home-Counties,' at Vitrine gallery, critiques national identity through animatronic art. Meanwhile, Jeremy Deller's show, 'Welcome to the Shitshow!' at Kunsthal Charlottenborg, running until 6 August, explores England's historical context. Architectural movements like the Gothic revival and Poundbury illustrate how contemporary choices shape evolving histories.