Artists Channel Goya's Black Paintings in Belgian Darkroom Collective
A group of six artists—Canemorto, Servadio, Alberto Brunello, Mik Bòiter, Elie Carp, and Milan Jespers—gathered in a countryside house in Gesves, Belgium, to create a series of silver salt prints using a hybrid process blending photography, printmaking, engraving, and painting. The project, titled 'Que viene el Coco' (a reference to Goya's 1799 aquatint), involved transforming the house into three darkrooms where the artists worked in isolation, evoking Goya's retreat to his villa 'La Quinta del Sordo' where he painted his famous 'Black Paintings.' The resulting images are described as black, ambiguous, instinctive, and deformed, emerging from the darkness of the darkroom. The collective exhibition, 'L'attesa del nero' (The Wait for Black), was held at Galleria Varsi in Rome.
Key facts
- Six artists participated: Canemorto, Servadio, Alberto Brunello, Mik Bòiter, Elie Carp, and Milan Jespers.
- The project took place in a countryside house in Gesves, Belgium.
- The house was converted into three darkrooms for photographic production.
- Artists used a hybrid process combining photography, printmaking, engraving, and painting.
- The work references Goya's 1799 aquatint 'Que viene el Coco' and his 'Black Paintings' at La Quinta del Sordo.
- The exhibition title is 'L'attesa del nero' (The Wait for Black).
- The exhibition was held at Galleria Varsi in Rome.
- The images are silver salt prints described as black, ambiguous, instinctive, and deformed.
Entities
Artists
- Canemorto
- Servadio
- Alberto Brunello
- Mik Bòiter
- Elie Carp
- Milan Jespers
- Francisco Goya
- Mattia Andres Lombardo
Institutions
- Galleria Varsi
- Artribune
Locations
- Gesves
- Belgium
- Rome
- Italy
- La Quinta del Sordo