ARTFEED — Contemporary Art Intelligence

Arthur Jafa's Serpentine Exhibition Probes Black Aesthetics and Political Objectification

exhibition · 2026-04-20

From June 8 to September 10, 2017, the Serpentine Sackler Gallery in London hosted Arthur Jafa's exhibition titled 'A Series of Utterly Improbable, Yet Extraordinary Renditions.' This showcase included pieces by Frida Orupabo and Ming Smith, delving into a possible 'black aesthetic' influenced by American racial dynamics. Noteworthy historical elements featured a large reproduction of the 1970 Marin County courthouse hostage situation and a black-dyed Confederate flag. The video mixes highlighted figures like Jimi Hendrix, Bootsy Collins, and Soul Train. Jafa's artwork explored themes of monstrous identity, while Orupabo's photo-collages illustrated fragmented representations of women. Additionally, Kahlil Joseph's 2013 film Wildcat was screened. Jafa engaged in a dialogue about the historical experiences of Black Americans with Hans Ulrich Obrist, and the exhibition was reviewed in the October 2017 issue of ArtReview.

Key facts

  • Exhibition title: A Series of Utterly Improbable, Yet Extraordinary Renditions
  • Artist: Arthur Jafa
  • Venue: Serpentine Sackler Gallery, London
  • Dates: June 8 – September 10, 2017
  • Featured artists: Frida Orupabo, Ming Smith
  • Historical reference: Marin County courthouse hostage siege on August 7, 1970
  • Jafa's video Love is the Message, the Message is Death (2016) was absent
  • Review published in ArtReview October 2017 issue

Entities

Artists

  • Arthur Jafa
  • Frida Orupabo
  • Ming Smith
  • Jimi Hendrix
  • Bootsy Collins
  • Kahlil Joseph
  • Jonathan Jackson
  • George Jackson
  • Hans Ulrich Obrist

Institutions

  • Serpentine Sackler Gallery
  • ArtReview
  • The Store Studios
  • Soledad State Prison

Locations

  • London
  • United Kingdom
  • Marin County
  • United States
  • Virginia
  • Charlottesville
  • Grayson, Oklahoma
  • Venice, California
  • Harlem
  • 180 The Strand, London

Sources