Artebrasileiros Issue 55 Explores Collective Art, Market Innovation, and LGBTQ+ Futures
Issue 55 of the Brazilian art publication Artebrasileiros presents a multifaceted exploration of contemporary art and culture. The editorial, titled 'Em luto, eu luto' (In Mourning, I Fight), sets a reflective tone. Artist collectives are examined for capturing the current zeitgeist. José Damasceno contributes work engaging with the Mona Lisa's smile. Photographer German Lorca is featured for his restless and tireless gaze. A new market creation method called 'Galleries Curate' is introduced. São Paulo's Museu da Língua (Museum of the Portuguese Language) has reopened in the city center following a redesign. Artist Maxwell Alexandre presents his series 'Pardo é Papel,' which addresses the epic grandeur of a people in formation. The Instituto Transarte advocates for an LGBTQ+ future. The issue poses the central question: 'What happens when we undo the world?'
Key facts
- Artebrasileiros published issue 55.
- The editorial is titled 'Em luto, eu luto'.
- Artist collectives reflect the spirit of the time.
- José Damasceno created work related to the Mona Lisa.
- German Lorca's photography is characterized by an inquiet and tireless gaze.
- 'Galleries Curate' is described as a new way to create a market.
- The Museu da Língua has reopened in central São Paulo after a redesign.
- Maxwell Alexandre's series 'Pardo é Papel' explores the formation of a people.
- Instituto Transarte promotes an LGBTQ+ future.
- The issue asks 'What happens when we undo the world?'
Entities
Artists
- José Damasceno
- German Lorca
- Maxwell Alexandre
Institutions
- Artebrasileiros
- Museu da Língua
- Instituto Transarte
Locations
- São Paulo
- Brazil