Art press Editor: Art in the Digital Age
Norbert Hillaire reflects on his 1991 special edition, 'New Technologies. An Art Without a Model?' and his 1999 editorial for art press +, titled 'Internet All Over.' In 2009, art press 2 raised concerns regarding the 'conservation and restoration' of technological arts. Currently, Hillaire examines art in the digital era, while Patrice Maniglier claims, 'Digital art did not happen.' As human activities become intertwined with computers, traditional art forms embrace new technologies, resulting in creations that challenge classification. This evolution raises two significant questions: how art's definition shifts amid blurred disciplinary lines and the diminishing relevance of alternative spaces in a fully connected world. Digital tools are reshaping artistic practices, necessitating a revival of theoretical perspectives.
Key facts
- Norbert Hillaire coordinated the issue.
- Hillaire produced a 1991 special issue 'New Technologies. An Art Without a Model?'
- In 1999, Hillaire wrote the editorial 'Internet All Over' for art press +.
- In 2009, art press 2 questioned conservation and restoration of technological arts.
- Patrice Maniglier stated 'Digital art did not happen.'
- The Centre des arts d'Enghien-les-Bains created the festival Bains numériques in 2005.
- Digitization fosters grafts between artistic disciplines.
- The definition of the work of art is questioned around art and enterprise, art and design.
Entities
Artists
- Norbert Hillaire
- Patrice Maniglier
- Catherine Millet
Institutions
- art press
- art press +
- art press 2
- Centre des arts d'Enghien-les-Bains
Locations
- Enghien-les-Bains
- France
Sources
- artpress —