Art Historian Pascal Bonafoux Analyzes André Masson's 1930s Massacre Drawings
Art historian Pascal Bonafoux examines André Masson's drawing technique from the 1930s, focusing specifically on a work titled Massacre. This drawing belongs to a series by Masson also called Massacres, which represents a distinct period in the artist's output. Bonafoux dissects how the lines in these drawings unfold metamorphoses, whether the drawings are automatic or not. The analysis centers on Masson's artistic methods during that decade, highlighting the unique characteristics of the Massacres series within his broader body of work. The study provides insight into Masson's creative process and the significance of this particular group of drawings from the 1930s.
Key facts
- Art historian Pascal Bonafoux analyzes André Masson's drawing technique
- Focus is on a drawing titled Massacre from the 1930s
- Massacre is part of a series by Masson called Massacres
- The Massacres series marks a singular period in Masson's work
- Bonafoux examines how lines in the drawings unfold metamorphoses
- Analysis considers both automatic and non-automatic drawings
- The study dissects Masson's artistic methods from the 1930s
- The Massacres series represents a distinct time in Masson's output
Entities
Artists
- André Masson
- Pascal Bonafoux
Sources
- artpress —