Arquivos One Hundred Steps explores art production through friction and difference
The project Arquivos One Hundred Steps delves into artistic expression through the lens of difference and friction, stepping away from individualistic viewpoints. It examines the emergence of art from conflict rather than personal interpretations, as suggested by its Portuguese title. Highlighted by Arte Brasileiros, the initiative underscores collaborative artistic endeavors, framing production as both dialogical and contentious, thereby questioning conventional ideas of genius and authorship. The title may allude to the gradual nature of art creation, while the emphasis on 'friction' addresses various social, political, and aesthetic tensions. This project resonates with current dialogues on collaborative art, critiques neoliberal individualism, and explores art as a social practice, with its documentation serving as a valuable resource for ongoing research and theoretical discourse.
Key facts
- The Arquivos One Hundred Steps project focuses on art production through friction and difference
- It moves away from self-centered subjectivity in artistic creation
- The project title translates to 'Get away from the self-centered subject; produce art in friction and difference'
- Documentation appears through Arte Brasileiros publication
- The project examines artistic methodologies emphasizing conflict and divergence
- It challenges traditional notions of individual artistic authorship
- The approach values relational and collaborative art practices
- The conceptual framework suggests engagement with contemporary art theory
Entities
Institutions
- Arte Brasileiros