April Greiman: Digital Design Pioneer
April Greiman, born in New York in 1948, is a graphic designer who pioneered the use of digital tools as a creative medium. She studied at the Kansas City Art Institute and in Basel, Switzerland, under Armin Hofmann and Wolfgang Weingart, absorbing Swiss modernism. After moving to California, she fused European discipline with West Coast experimentation, collaborating with photographer Jayme Odgers to define California New Wave. In 1986, she created the iconic fold-out work 'Design Quarterly #133: Does It Make Sense?' for the Walker Art Center, using an Apple Macintosh to combine typography, photography, and digital space. The piece is held in MoMA and the Smithsonian's Cooper Hewitt. Her Los Angeles-based studio, Made in Space, spans graphic design, architecture, and public art. Greiman's legacy lies in making digital design sensual and human, distinct from peers like Wolfgang Weingart, Neville Brody, and David Carson.
Key facts
- April Greiman was born in New York in 1948.
- She studied at Kansas City Art Institute and in Basel, Switzerland.
- Her teachers included Armin Hofmann and Wolfgang Weingart.
- She collaborated with photographer Jayme Odgers.
- In 1986, she created 'Design Quarterly #133: Does It Make Sense?' for the Walker Art Center.
- The work used an Apple Macintosh computer.
- Her work is held in MoMA and the Smithsonian's Cooper Hewitt collections.
- She founded the Los Angeles-based studio Made in Space.
Entities
Artists
- April Greiman
- Armin Hofmann
- Wolfgang Weingart
- Jayme Odgers
- Neville Brody
- David Carson
Institutions
- Kansas City Art Institute
- Walker Art Center
- MoMA
- Smithsonian's Cooper Hewitt
- Made in Space
- Hue & Eye
Locations
- New York
- United States
- Kansas City
- Basel
- Switzerland
- California
- Los Angeles