Antonio Natali argues beauty requires education and content
Antonio Natali, former director of the Uffizi (2006-2015), critiques the cliché that beauty will save the world, arguing that true beauty in art requires education and cultural familiarity. He recalls a 2011 conference organized by the Cortile dei Gentili, where he challenged clergy about the lack of aesthetic and conceptual quality in contemporary church altar works, contrasting them with historically commissioned pieces by educated patrons. Natali uses Pontormo's 'Deposition' in Santa Felicita, Florence, as an example: its beauty deepens when one understands its theological meaning—Christ's body lowered onto the altar as Eucharistic bread, following Augustine's exegesis. The article was published in Grandi Mostre #14. Natali emphasizes that beauty unites form and content, elevating the spirit.
Key facts
- Antonio Natali was director of the Galleria degli Uffizi from June 2006 to November 2015.
- Natali worked at the Uffizi from 1981 to 2016.
- In 2006, he qualified as a full professor of art history at Politecnico di Milano.
- A 2011 conference on beauty was organized by the Cortile dei Gentili.
- Natali cited Pope Paul VI: 'This world needs beauty not to sink into despair.'
- Pontormo's 'Deposition' is in Santa Felicita, Florence.
- The altarpiece illustrates a deposition not from the cross but onto the altar, as Eucharistic bread.
- The article was published in Grandi Mostre #14.
Entities
Artists
- Antonio Natali
- Pontormo
- Marcillat
- Augustine of Hippo
- Pope Paul VI
Institutions
- Galleria degli Uffizi
- Politecnico di Milano
- Cortile dei Gentili
- Santa Felicita
- Artribune
Locations
- Florence
- Italy
- Milan
- Santa Felicita, Florence