Antonio Dias's 1960s-70s trajectory recontextualized through Rio de Janeiro debates and European moves
Antonio Dias, who was born in 1944, found a growing audience in the English-speaking art world. However, his experiences in the 1960s and 1970s offer a different perspective on art history. Analyzing this period reveals his involvement in crucial discussions about realism and underdevelopment within Rio de Janeiro's avant-garde movement, featuring key players like Ferreira Gullar and Hélio Oiticica. After relocating to Paris in late 1966 and then to Milan in 1968, Dias concentrated on English and painting, connecting with European artists linked to Arte Povera and Conceptualism. An essay released by MIT Press on June 5, 2018, underscores how his path redefines conventional narratives in global art, showcasing the blend of local and international influences.
Key facts
- Antonio Dias was born in 1944
- His reception in the English-speaking world is growing under global art history
- His 1960s-70s trajectory suggests counter-genealogy and counter-geography
- The essay recontextualizes his emergence vis-à-vis realism and underdevelopment debates
- Rio de Janeiro avant-gardist scene involved Ferreira Gullar, Hélio Oiticica, Mário Pedrosa, Pierre Restany, and Frederico Morais
- Dias moved to Paris in late 1966 and to Milan in 1968
- He turned to painting and English language while circulating with Arte Povera and Conceptualism artists
- Article published on June 5, 2018 and available via MIT Press subscription
Entities
Artists
- Antonio Dias
- Ferreira Gullar
- Hélio Oiticica
- Mário Pedrosa
- Pierre Restany
- Frederico Morais
Institutions
- MIT Press
- ARTMargins Online
Locations
- Rio de Janeiro
- Brazil
- Paris
- France
- Milan
- Italy