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Antoni Tàpies's Late-Career Paintings at Nahmad Contemporary Challenge Expectations

exhibition · 2026-04-22

Nahmad Contemporary in New York City hosted "Antoni Tàpies: Paintings, 1970-2003" from March 20 to April 22, 2017, showcasing ten pieces from the Spanish artist’s later years. Situated at 980 Madison Avenue, this exhibition intentionally omitted his iconic works from the 1950s to the 1970s, instead emphasizing his formalist creations from the 1970s onwards. The earliest artwork displayed was Door-Wall (1970), featuring a textured rectangle on unprimed canvas. Significant pieces included Composition (1972) and Black Mark and Arrows (1978). Subsequent works like To Painting (1989) and Base-Matter (1995) further explored these themes. The exhibit indicated a transition in Tàpies' focus from existential despair to an inquiry into the nature of representation in painting, paralleling artists such as Francis Bacon and Robert Motherwell.

Key facts

  • Exhibition ran from March 20 to April 22, 2017
  • Featured ten works by Antoni Tàpies from 1970-2003
  • Held at Nahmad Contemporary, 980 Madison Avenue, New York City
  • Excluded Tàpies's classic 1950s-70s period
  • Earliest work was Door-Wall (1970)
  • Included Composition (1972) with burlap and wire
  • Featured Black Mark and Arrows (1978) on a wool blanket
  • Later works included To Painting (1989), Base-Matter (1995), Four Stripes (1998)

Entities

Artists

  • Antoni Tàpies
  • Robert Rauschenberg
  • Jasper Johns
  • Julian Schnabel
  • Jean-Michel Basquiat
  • Francis Bacon
  • Robert Motherwell

Institutions

  • Nahmad Contemporary
  • artcritical

Locations

  • New York City
  • United States
  • Spain

Sources