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Anselm Kiefer's Metaphorical Islands at Lorcan O'Neill Rome

exhibition · 2026-04-27

Anselm Kiefer (b. 1945, Donaueschingen) returns to Lorcan O'Neill Gallery in Rome after seven years with 'The Consciousness of Stones,' a tribute to German writer Hans Henny Jahnn. The exhibition features monumental paintings that depict an archipelago of islands as metaphors for seeking renewed awareness amid ideological drift. Kiefer's works blend myth, literature, and collective memory, referencing Prometheus and Scylla and Charybdis. The opening piece, 'Die Vierzehn Nothelfer,' invokes the Fourteen Holy Helpers against contemporary atrocities. A contemplative bronze sculpture, 'Melancholia,' based on Albrecht Dürer's engraving, stands in the atrium, symbolizing knowledge and elevation from existential desolation. The dense, rocky painted landscapes evoke Jahnn's dichotomous vitalism, though the absence of hidden depths tempers Kiefer's lyricism. The exhibition runs at Lorcan O'Neill Gallery in Rome.

Key facts

  • Anselm Kiefer presents 'The Consciousness of Stones' at Lorcan O'Neill Gallery in Rome.
  • The exhibition is a tribute to German writer Hans Henny Jahnn.
  • Kiefer returns to the gallery after seven years.
  • Monumental paintings feature metaphorical islands symbolizing renewed awareness.
  • The work references Prometheus, Scylla, and Charybdis.
  • The opening piece 'Die Vierzehn Nothelfer' invokes the Fourteen Holy Helpers.
  • A bronze sculpture 'Melancholia' is based on Albrecht Dürer's engraving.
  • The sculpture references Kiefer's 'I Sette Palazzi Celesti' at HangarBicocca.

Entities

Artists

  • Anselm Kiefer
  • Hans Henny Jahnn
  • Albrecht Dürer

Institutions

  • Lorcan O'Neill Gallery
  • HangarBicocca
  • Artribune

Locations

  • Rome
  • Italy
  • Donaueschingen
  • Germany

Sources