Anselm Kiefer's 'Merkaba' and Michael Craig-Martin's 'Eye of the Storm' Exhibitions at Gagosian Gallery
Gagosian Gallery presented two contrasting exhibitions in late 2002 and early 2003. Anselm Kiefer's 'Merkaba' ran from November 8 to December 14, 2002, transforming the gallery space with monumental installations. The German artist, born in 1945, created works using lead, concrete, rusted steel, scorched earth, straw, and other materials, referencing Jewish mysticism, the Holocaust, and European poetry. A catalogue for the exhibition was available for $80. Harold Bloom, Yale's Sterling Professor of Humanities, contributed an essay that positioned Kiefer as an intellectually and spiritually ambitious creator. Michael Craig-Martin's 'Eye of the Storm' exhibition was on view through February 15, 2003, at 555 West 24th Street. The review contrasts Kiefer's dense, apocalyptic works with Craig-Martin's neo-conceptualist pieces, describing the shift between exhibitions as moving from the sublime to the ridiculous. Kiefer's career is contextualized within German neo-expressionism of the 1980s, noting his early provocative performances involving Nazi imagery and his evolution from irony to earnest metaphysical exploration. The critique questions the originality claims in Bloom's essay, pointing to influences from artists like Jean Dubuffet, arte povera, Robert Rauschenberg, Cy Twombly, and Joseph Beuys.
Key facts
- Anselm Kiefer's exhibition 'Merkaba' ran from November 8 to December 14, 2002 at Gagosian Gallery
- Michael Craig-Martin's exhibition 'Eye of the Storm' was on view through February 15, 2003 at Gagosian's 555 West 24th Street location
- A catalogue for Kiefer's exhibition was available for $80
- Harold Bloom wrote a catalogue essay comparing Kiefer to divine creators and praising his intellectual ambition
- Kiefer's works used materials including lead, concrete, rusted steel, scorched earth, and straw
- Kiefer was born in 1945 and is associated with German neo-expressionism
- The review critiques both exhibitions, contrasting Kiefer's monumental installations with Craig-Martin's neo-conceptualist works
- The article questions claims of Kiefer's originality, citing influences from Dubuffet, arte povera, Rauschenberg, Twombly, and Beuys
Entities
Artists
- Michael Craig-Martin
- Anselm Kiefer
- Harold Bloom
- Georg Baselitz
- Markus Lüpertz
- Jean Dubuffet
- Robert Rauschenberg
- Cy Twombly
- Joseph Beuys
- Adami
- Caulfield
- Blake
- Milton
- Joyce
- Stravinsky
- Picasso
- Michelangelo
- Gauguin
- Kant
- Albert Speer
- Wagner
- Caspar David Friedrich
- Alfred Hitchcock
- Brian de Palma
Institutions
- Gagosian Gallery
- Yale
- Yale Art School
- NASA
Locations
- 555 West 24th Street
- New York
- United States
- Germany
- Belgium
- Rome
- Italy