Anne-James Chaton's Evénements 99: A Poetic Machine of Externalities
Anne-James Chaton's book 'Evénements 99', published by Editions Al Dante, is reviewed by Yan Ciret in artpress. The work is described as a diary of externalities, where industrial prose and automated data (payment notes, SNCF tickets, brand names) replace intimate affect. Chaton inverts surface and depth, using objectification as a form of external psychoanalysis. The repetitive, serial alignment of technical procedures reveals social being superimposed on bare existence, achieving a rare poetic force. The book comes with two CDs featuring Chaton's voice as sound material, processed through samples and loops, through which political-journalistic messages at teleprompter speed expose the replacement of events by stereotypes and reflexive thought.
Key facts
- Book titled 'Evénements 99' by Anne-James Chaton
- Published by Editions Al Dante
- Reviewed by Yan Ciret in artpress
- Work uses industrial prose and automated data like payment notes and SNCF tickets
- Inverts surface and depth for external psychoanalysis
- Includes two CDs with Chaton's voice as sound material
- CDs feature samples, loops, and political-journalistic messages at teleprompter speed
- Themes: replacement of events by stereotypes and reflexive thought
Entities
Artists
- Anne-James Chaton
- Yan Ciret
Institutions
- Editions Al Dante
- artpress
Sources
- artpress —