Annalee Davis represents Barbados at 2026 Venice Biennale with installation on ecological grief
Barbadian artist Annalee Davis (b. 1963, St. Michael) is representing Barbados at the 61st Venice Biennale in 2026 with her installation "Let this be my Cathedral," part of the group exhibition "In Minor Keys" curated by the late Koyo Kouoh. The work addresses ecological grief, colonial memory, and the possibility of care without erasing conflict. Davis's practice treats landscape as a living archive, incorporating organic materials, embroidery, and research into her process. The installation was inspired by the near-extinction of the Eskimo curlew, shot in Barbados in 1963. Davis also discusses the risk of Caribbean art being flattened by European expectations. The Barbados Pavilion is located at the Corderie dell'Arsenale, Venice, and runs until November 22, 2026.
Key facts
- Annalee Davis represents Barbados at the 61st Venice Biennale in 2026
- Her installation is titled 'Let this be my Cathedral'
- The work is part of the group exhibition 'In Minor Keys' curated by Koyo Kouoh
- Koyo Kouoh died before the Biennale; the invitation came posthumously via Rasha Salti
- The installation addresses ecological grief, colonial memory, and care
- Davis's practice treats landscape as a living archive
- The work was inspired by the Eskimo curlew, nearly extinct and shot in Barbados in 1963
- The Barbados Pavilion is at Corderie dell'Arsenale, Venice, until November 22, 2026
Entities
Artists
- Annalee Davis
- Koyo Kouoh
- Rasha Salti
- Antonino La Vela
Institutions
- Barbados Pavilion
- Biennale Arte di Venezia
- Fresh Milk
- Raw Material
- Videobrasil
- Artribune
- RStudio
- Walkers Reserve
Locations
- St. Michael, Barbados
- Barbados
- Venice, Italy
- Corderie dell'Arsenale, Venice
- Castello 2169/F, Venice
- San Paolo, Brazil
- Senegal
- North America
- Arctic
- Argentina
- St. Andrew, Barbados