Anna Condo Blends Photography, Painting, and AI in 'À la carte' Series
Anna Condo, an Armenian-origin artist, creates the series 'À la carte' using AI, digital collage, and painting to produce hyper-realistic food images that trigger desire yet remain artificial. The work draws from still-life traditions (Chardin, Manet), cinema (Visconti, Buster Keaton), and childhood memories of French and Armenian cuisine. Condo combines multiple AI generators to maintain aesthetic control, deliberately introducing imperfection to counter AI's cleanliness. She describes the process as 'suspending time' in an infinite present, merging painting and photography without choosing between them. The series questions photography's role in an era of simulation, arguing that photography has always been capable of simulation and that instability is its strength. Condo's practice emphasizes the tension between attraction and frustration, with the image itself deciding when it is finished. The interview was published on Collater.al.
Key facts
- Anna Condo is an artist of Armenian origins.
- Her series 'À la carte' uses AI, digital collage, and painting.
- The images simulate food to activate desire but remain artificial.
- References include Chardin, Manet, Visconti, and Buster Keaton.
- Condo combines multiple AI generators to guide the aesthetic.
- She intentionally introduces imperfection to counter AI's perfection.
- The work aims to suspend time in an infinite present.
- Condo sees photography's role as becoming unstable, not disappearing.
Entities
Artists
- Anna Condo
- Jean Siméon Chardin
- Édouard Manet
- Luchino Visconti
- Buster Keaton
- Goya
- Mark Rothko
- Georgia O'Keeffe
- Claude Monet
- Paul Cézanne
- Alma Reville
Institutions
- Collater.al