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Anila Rubiku's 'Endje: Wander-Weaving' at Assab One, Milan

exhibition · 2026-04-26

Anila Rubiku's solo exhibition 'Endje: Wander-Weaving' runs until January 24, 2025, at Assab One, a nonprofit space in Milan. Curated by Edi Muka, the show explores weaving as a physical and metaphorical journey, combining installation, sculpture, embroidery, engraving, and painting. The Albanian word 'endje' means both 'to weave' and 'to wander,' reflecting Rubiku's free movement between practices. Works include 'Ain’t I a Woman?', honoring women freedom pioneers with 150 embroidered handkerchiefs made in collaboration with a women's group from Durrës, Albania; 'The Inner Door', inspired by Milanese residential interior doors, exploring form, color, and texture; and 'Defiants’ Portraits #1-12', created with female inmates in a Tirana prison, denouncing lack of legal protection for the vulnerable. Assab One, founded by Elena Quarestani, is also renovating its spaces and will host 'La Quinta Stagione' from February to March 2025, curated by Davide Fabio Colaci, inviting twenty architects to reimagine the Cimiano district through drawing.

Key facts

  • Anila Rubiku's exhibition 'Endje: Wander-Weaving' at Assab One, Milan, until January 24, 2025.
  • Curated by Edi Muka.
  • 'Endje' means both 'to weave' and 'to wander' in Albanian.
  • Works include 'Ain’t I a Woman?' with 150 embroidered handkerchiefs by a women's group from Durrës.
  • 'The Inner Door' inspired by Milanese residential interior doors.
  • 'Defiants’ Portraits #1-12' created with female inmates in a Tirana prison.
  • Assab One is renovating and will host 'La Quinta Stagione' (Feb-Mar 2025) curated by Davide Fabio Colaci.
  • Twenty architects will reimagine the Cimiano district through drawing.

Entities

Artists

  • Anila Rubiku
  • Edi Muka
  • Davide Fabio Colaci
  • Elena Quarestani
  • Erica Massaccesi
  • Caterina Angelucci

Institutions

  • Assab One
  • Artribune

Locations

  • Milan
  • Italy
  • Durazzo
  • Albania
  • Durrës
  • Tirana
  • Cimiano

Sources