ARTFEED — Contemporary Art Intelligence

Andy Warhol's 'Empire' Turns 60: Why It's a Masterpiece

other · 2026-04-26

Sixty years ago, on July 25-26, 1964, Andy Warhol premiered his film 'Empire,' shot from the Time&Life Building in New York. This eight-hour piece features a still shot of the Empire State Building, showcasing Warhol's unique approach of presenting reality without any filmmaker's influence. After earlier projects like 'Sleep' with John Giorno and 'Eat' with Robert Indiana, Warhol stripped away editing and voyeuristic components. In 'Empire,' the only constants are the camera's position and the duration of the film, offering a raw perspective. Displayed at 16 frames per second, the shift from day to night is subtle, with the lights fading at 2:42 AM, highlighting Warhol's view that "everything is sort of artificial." This release also coincided with Robert Rauschenberg winning the Golden Lion at the 1964 Venice Biennale, marking a pivotal moment for Pop Art.

Key facts

  • Andy Warhol shot 'Empire' on July 25-26, 1964, from the Time&Life Building in New York.
  • The film is an eight-hour static shot of the Empire State Building.
  • Warhol's first film 'Sleep' (1963) featured John Giorno sleeping for six hours.
  • 'Eat' (1964) shows Robert Indiana eating a mushroom.
  • 'Blow Job' (1964) focuses on DeVeren Bookwalter's face during a fellatio.
  • Warhol projected 'Empire' at 16 frames per second instead of 24.
  • The Empire State Building lights went out at 2:42 AM during filming.
  • Robert Rauschenberg won the Golden Lion at the 1964 Venice Biennale.

Entities

Artists

  • Andy Warhol
  • Jonas Mekas
  • John Giorno
  • Robert Indiana
  • DeVeren Bookwalter
  • Robert Rauschenberg
  • Arthur Danto

Institutions

  • Time&Life Building
  • Empire State Building
  • Venice Biennale
  • Artribune
  • Bocconi University

Locations

  • New York City
  • Pittsburgh
  • Old Lyme
  • Venice
  • Italy
  • United States

Sources