Andrea Lerda and Domenico Quaranta Debate Art, Technology, and Ecology
In a conversation for Artribune's Versus series, curator Andrea Lerda and critic-curator Domenico Quaranta explore the intersections of art, technology, and ecology. Lerda, who established Platform Green, delves into the connections between art and nature, as well as the contemporary effects on humanity and the planet. Quaranta emphasizes the significance of digital culture and the fusion of humans with machines. They engage in a discussion about the necessity of art in harmonizing technological advancement with ecological awareness. Quaranta recalls the audience involvement in 1990s net art, while Lerda cautions that digital liberties could jeopardize freedom and climate initiatives. They reference artists such as Tomás Saraceno, Olafur Eliasson, and Joana Moll, with Lerda noting the October 2018 Christie's auction of the first algorithm-generated artwork by Obvious, while Quaranta contends that genuine AI art has yet to emerge.
Key facts
- Andrea Lerda is curator and founder of Platform Green.
- Domenico Quaranta is a critic and curator focused on digital culture.
- The dialogue is part of Artribune's Versus series.
- Lerda cites Amitav Ghosh's 'Great Blindness' era.
- Quaranta references net art's 1990s as a move beyond the white cube.
- Tomás Saraceno's Aerocene project aims for fossil-fuel-free travel.
- Olafur Eliasson's Little Sun provides solar-powered light.
- Joana Moll visualizes CO2 from Google searches.
- In October 2018, Christie's sold the first algorithm-generated artwork by Obvious.
- Quaranta criticizes the Obvious sale, noting no true AI art exists yet.
Entities
Artists
- Andrea Lerda
- Domenico Quaranta
- Tomás Saraceno
- Federica Di Carlo
- Andreco
- Olafur Eliasson
- Joana Moll
- Trevor Paglen
- Pierre Huyghe
- Amitav Ghosh
- Zygmunt Bauman
- Obvious
Institutions
- Artribune
- Platform Green
- Christie's
- ICA London
- Metro Pictures
Locations
- Italy
- New York
- London
- Venice