Alva Noto's Unieqav at Teatro Bellini, Naples
Alva Noto (Carsten Nicolai, born 1965 in Germany) presented the evolved version of his audiovisual project Unieqav at Teatro Bellini in Naples, as part of the Synth series curated by Cesare Settimo. The performance, held in the 19th-century theater in the historic city center, marks a progression from the beta version first shown in Florence at Nextech Festival a year and a half earlier. Unieqav merges sound and visuals in a synesthetic experience, alternating between minimal, painterly phases and aggressive, machine-driven sequences with violent synthetic sounds and flashing lights. The work incorporates elements reminiscent of Rothko's spatial studies and Matthew Barney's post-human hybrids, with glitch effects transitioning into robotic voices. The piece concludes the trilogy that includes Unitxt and Univrs, combining analytical deconstruction, natural evocations, ambient textures, and beat-driven glitch. The overall mood is dark, epic, and Ossianic, suggesting a new direction for Alva Noto's research into the uncanny and the hybrid future of humanity and technology.
Key facts
- Alva Noto performed Unieqav at Teatro Bellini in Naples.
- The performance was part of the Synth series by Cesare Settimo.
- The beta version was presented at Nextech Festival in Florence 18 months earlier.
- Carsten Nicolai (Alva Noto) was born in Germany in 1965.
- Unieqav combines minimal visual cells with evolving soundscapes.
- The work includes aggressive synthetic sounds and flashing lights.
- Unieqav references Rothko and Matthew Barney.
- The piece concludes a trilogy with Unitxt and Univrs.
Entities
Artists
- Alva Noto
- Carsten Nicolai
- Cesare Settimo
- Franco Vaccari
- Matthew Barney
- Rothko
- Marshall McLuhan
- Vincenzo Santarcangelo
Institutions
- Teatro Bellini
- Nextech Festival
- Artribune
Locations
- Naples
- Italy
- Florence
- Germany