Almagul Menlibayeva's Daughters of Turan exhibition explores Kazakh identity through video and photography
Almagul Menlibayeva is showcasing her third exhibition, titled Daughters of Turan, at Priska C. Juschka Fine Art in New York, which features her latest video and photographic pieces centered on Kazakh cultural identity. Born in 1969 and raised in Almaty, her art reflects both her Soviet past and the transformations in Kazakhstan following independence. The exhibition explores crises of national identity, with works filmed in southern Kazakhstan, such as Milk for Lambs (2010) and Aisha Bibi's Butterflies (2010). In collaboration with composer OMFO, she integrates traditional and contemporary elements, steering clear of exotic clichés. Menlibayeva acknowledges Nezaket Ekici's influence and connects the erosion of tradition to post-Soviet independence and Western media, while living a nomadic life between Almaty and Berlin for cultural insights.
Key facts
- Almagul Menlibayeva's exhibition Daughters of Turan opened at Priska C. Juschka Fine Art in New York in 2010
- This is Menlibayeva's third exhibition at the gallery
- Menlibayeva was born in 1969 and educated at the Art Academy in Almaty under Social Realism
- The exhibition features video and photographic works filmed in remote southern Kazakhstan locations including the Aisha Bibi mausoleum near Taraz
- Menlibayeva collaborates with composer OMFO (Our Man From Odessa), who wrote for the film Borat
- Key works include Aisha Bibi's Butterflies (2010) and Milk for Lambs (2010)
- Menlibayeva cites Turkish artist Nezaket Ekici as an influence
- The artist lives and works between Almaty and Berlin
Entities
Artists
- Almagul Menlibayeva
- Nezaket Ekici
- OMFO (Our Man From Odessa)
Institutions
- Priska C. Juschka Fine Art
- Art Academy in Almaty
- ARTMargins Online
Locations
- New York
- United States
- Kazakhstan
- Almaty
- Taraz
- Berlin
- Germany
- Turkey
- Odessa