ARTFEED — Contemporary Art Intelligence

Allora & Calzadilla's Lisson Gallery Exhibition Examines Puerto Rico's Colonial Status Through Sculpture and Video

exhibition · 2026-04-20

The exhibition 'Foreign in a Domestic Sense' by Allora & Calzadilla took place at Lisson Gallery in London from September 22 to November 11, 2017. It explored the implications of a 1901 US Supreme Court decision that classified Puerto Rico as 'foreign in a domestic sense,' which impacted the rights of Puerto Ricans, including their ability to vote in presidential elections. Featured works included 'Manifest' (2017), with rust-hued metal sculptures, and 'Loss' (2017), a black wax string bag filled with oranges. 'The Night We Became People Again' (2017) highlighted Puerto Rican sites, while 'Blackout' (2017) presented a twisted metal sculpture from a damaged transformer. The exhibition also featured a choral piece called 'mains hum' (2017) and critiqued the US's disaster response following Hurricane Maria in 2017.

Key facts

  • Exhibition titled 'Foreign in a Domestic Sense' by Allora & Calzadilla
  • Held at Lisson Gallery, London from September 22 to November 11, 2017
  • References 1901 US Supreme Court ruling defining Puerto Rico as 'foreign in a domestic sense'
  • Features works including 'Manifest' (2017), 'Loss' (2017), 'The Night We Became People Again' (2017), and 'Blackout' (2017)
  • Includes twice-weekly choral performance 'mains hum' (2017)
  • Addresses colonial history including Guano Islands Act of 1856
  • Responds to contemporary context of Hurricane Maria and US aid disparities
  • Puerto Ricans are US citizens but cannot vote in presidential elections

Entities

Artists

  • Allora & Calzadilla
  • Amie Siegel
  • Donald Trump

Institutions

  • Lisson Gallery
  • US Supreme Court
  • ArtReview

Locations

  • London
  • United Kingdom
  • Puerto Rico
  • United States
  • Texas
  • Florida

Sources