Allora & Calzadilla's Lisson Gallery Exhibition Examines Puerto Rico's Colonial Status Through Sculpture and Video
The exhibition 'Foreign in a Domestic Sense' by Allora & Calzadilla took place at Lisson Gallery in London from September 22 to November 11, 2017. It explored the implications of a 1901 US Supreme Court decision that classified Puerto Rico as 'foreign in a domestic sense,' which impacted the rights of Puerto Ricans, including their ability to vote in presidential elections. Featured works included 'Manifest' (2017), with rust-hued metal sculptures, and 'Loss' (2017), a black wax string bag filled with oranges. 'The Night We Became People Again' (2017) highlighted Puerto Rican sites, while 'Blackout' (2017) presented a twisted metal sculpture from a damaged transformer. The exhibition also featured a choral piece called 'mains hum' (2017) and critiqued the US's disaster response following Hurricane Maria in 2017.
Key facts
- Exhibition titled 'Foreign in a Domestic Sense' by Allora & Calzadilla
- Held at Lisson Gallery, London from September 22 to November 11, 2017
- References 1901 US Supreme Court ruling defining Puerto Rico as 'foreign in a domestic sense'
- Features works including 'Manifest' (2017), 'Loss' (2017), 'The Night We Became People Again' (2017), and 'Blackout' (2017)
- Includes twice-weekly choral performance 'mains hum' (2017)
- Addresses colonial history including Guano Islands Act of 1856
- Responds to contemporary context of Hurricane Maria and US aid disparities
- Puerto Ricans are US citizens but cannot vote in presidential elections
Entities
Artists
- Allora & Calzadilla
- Amie Siegel
- Donald Trump
Institutions
- Lisson Gallery
- US Supreme Court
- ArtReview
Locations
- London
- United Kingdom
- Puerto Rico
- United States
- Texas
- Florida