Ali Kazma's Subterranean exhibition at Jeu de Paume showcases films on bureaucracy, preservation, and human absence.
The exhibition 'Subterranean' by Ali Kazma is on display at Jeu de Paume in Paris from 17 October to 21 January, showcasing over 20 films characterized by detached observation. The Turkish artist adeptly turns the limitations faced in Turkey into a source of creativity. Among the highlighted pieces are works from his Resistance series, including Tattoo and Calligraphy, which were previously featured at the 2013 Venice Biennale. His notable 2011 piece Clerk examines analogue bureaucracy, while later films such as Safe (2015) and North (2017) illustrate barren Norwegian landscapes. Additional works include Taxidermist (2010), House of Letters (2015), Brain Surgeon (2006), and Mine (2017). The exhibition concludes with Tea Time (2017), further investigating themes of human absence in various settings.
Key facts
- Ali Kazma's exhibition 'Subterranean' features over 20 filmworks
- Exhibition runs from 17 October to 21 January at Jeu de Paume in Paris
- Kazma showed works at the 2013 Venice Biennale's Turkish Pavilion
- Works include Clerk (2011), Safe (2015), and North (2017)
- Safe documents the Global Seed Vault on Svalbard Islands
- North records an abandoned Soviet mine on Spitsbergen Island
- Kazma collaborated with Alberto Manguel on Recto Verso (2012)
- Mine (2017) depicts sites in Chile's Atacama Desert used as concentration camps
Entities
Artists
- Ali Kazma
- Alberto Manguel
Institutions
- Jeu de Paume
- Venice Biennale
- Turkish Pavilion
- Global Seed Vault
- Argentine National Library
- ArtReview
Locations
- Paris
- France
- Turkey
- Venice
- Italy
- Svalbard Islands
- Norway
- Spitsbergen Island
- Atacama Desert
- Chile
- Argentina
- Canada