Albert Ayme's Abstract Incisions at Musée Réattu
The Musée Réattu in Arles, France, presented a double exhibition of Albert Ayme from March 27 to June 10, 2007. The show spanned two pivotal periods: his 1962 'Reliefs soustractifs' and his later 'Triple Suite en jaune' homage to Van Gogh. Ayme abandoned figuration and traditional painting tools, using a scalpel to incise white or painted cardboard, creating layered monochromes that reveal temporal strata. The second part features three primary colors (with yellow doubled) on stretcherless canvases, inspired by Van Gogh's letter to Theo about achieving a 'high yellow note.' Curator Michèle Moutashar highlighted the dialogue between Ayme's abstract works and the Rhône river visible through the museum's Renaissance windows. The exhibition underscored Ayme's fusion of rigorous abstraction with organic vitality, akin to Scelsi's microtonal music.
Key facts
- Exhibition ran March 27 to June 10, 2007 at Musée Réattu, Arles.
- Focused on Albert Ayme's 'Reliefs soustractifs' (1962) and 'Triple Suite en jaune'.
- Ayme used incision and excision on cardboard, replacing brush with scalpel.
- The 'Triple Suite en jaune' uses three primary colors, with yellow doubled.
- Inspired by Van Gogh's letter to Theo about attaining a 'high yellow note'.
- Curated by Michèle Moutashar.
- Ayme's work compared to Scelsi's single-note orchestral compositions.
- The museum's Renaissance windows overlook the Rhône river, echoing the works.
Entities
Artists
- Albert Ayme
- Vincent van Gogh
- Theo van Gogh
- Francis Ponge
- Giacinto Scelsi
- Fabrice Hadjaj
Institutions
- Musée Réattu
- Ordre de Malte
Locations
- Arles
- France
- Rhône
Sources
- artpress —